WELCOME TO REMOTE VIEWING

*Want to just go to the practice target? Scroll down to the bottom SLOWLY. Don’t give the target results away*

Remote viewing is the practice of perceiving information about a distant or unseen target using extended human perception — what many traditions would simply call the sight. While modern interest in remote viewing was formalized through declassified military research programs like the CIA’s Project Stargate in the 1970s, the practice itself is ancient. The Norse knew it well — Odin’s capacity for far-sight, symbolized by his sacrificed eye, is one of the most iconic examples in any mythological tradition. The ancient Egyptians documented similar practices, and it appears in shamanic traditions across virtually every indigenous culture on earth. It has always been here.

There are essentially three forms of remote viewing: perceiving through the awareness of another living being; projecting consciousness to a physical location — what some call non-local awareness or astral travel — which is what we practice here; and attempting to identify unknown images or objects, which tends to be the least reliable and the hardest to learn from, simply because without context, it’s very difficult to know what you actually picked up on.
That last point is why I’m particular about how I structure these practice sessions. Good remote viewing practice needs a target with enough real-world context that after your session, you can genuinely reflect on what landed and what didn’t — and more importantly, begin to recognize the quality of your own accurate impressions. That recognition, over time, is everything. I’ll walk you through how I do this in the audio below.

If you’re wondering whether remote viewing has ever held up to rigorous scientific scrutiny — it has. A landmark 2023 meta-analysis published in the Journal of Scientific Exploration, reviewing every remote viewing study conducted between 1974 and 2022, found results consistently and significantly above statistical chance. To those unfamiliar with research methodology, the margin — 19.3% above chance — might sound modest. But consider this: if a gifted intuitive working alongside a team of investigators could increase the likelihood of finding a missing loved one by 19%, would you call that insignificant? Neither would I. Intuitive perception was never meant to replace logical analysis — it was always meant to complete it.

Options for Remote Viewing Practice

OPTION 1 — USING A DEDICATED REMOTE VIEWING WEBSITE

For those who want a structured practice experience with rich post-session feedback, here are three websites I recommend, each offering real-world location targets with coordinates and contextual information beyond just a single photograph:

The Target Vault – rviewer.com – Run by Paul H. Smith, one of the original military remote viewers from the Stargate program. Each target comes with a reference number coordinate. You complete your session first, then unlock the feedback, which includes the photo and contextual information about the location. New targets posted weekly with a short embargo period to keep the practice honest. Highly credible source given his background.
Distant Viewing — distantviewing.net — This is the one I find most useful for beginners because of its richness of post-session context. Targets are provided with a name, description, images, and a Google Map — and in many cases you can enter street view, allowing you to actually walk around the target location after your session. That street view capacity is genuinely remarkable for reflection and learning. Free to use, with optional registration to track progress over time.

Daz Smith’s Remote Viewed — remoteviewed.com — Run by one of the UK’s most respected remote viewers. Targets are real-world locations with downloadable feedback files post-session. His philosophy is that students need exposure to every kind of target to develop well-rounded skill , so the target pool is diverse and substantive. More advanced feel than the others.

How to use any of these sites:

1. Choose your target number and write it on paper — this is your coordinate
2. Do NOT look up the number before your session
3. Find a quiet space, set your intention, and begin
4. Record everything that comes through — impressions, feelings, shapes, textures, colors, temperature, movement, sounds, emotions — without editing or judging
5. Write “end session” when complete and note the time
6. Only then open the feedback
7. Sit with what landed and what didn’t — without judgment

OPTION 2 — SETTING UP AN AI TARGET SYSTEM

This is the method I use and teach, and for good reason — when set up correctly, it produces targets with the kind of rich real-world context that makes genuine reflection possible after your session. Here is exactly how to do it. I have successfully used ChatGTP and Claude, Claude being my preference. You do not need a paid for account to use these. Mobile, laptop or tablet all work.

Step 1 — Open a fresh conversation
Start a brand new chat with your AI system of choice. This is important — you want no prior conversation context that could bleed into the target selection.

Step 2 — Give the AI these exact setup instructions:
“I want you to act as a remote viewing target manager. Your job is to select a real-world geographic location anywhere on Earth — somewhere that actually exists, has a specific latitude and longitude, and has enough publicly available information that you can provide rich contextual feedback after my session. Do NOT tell me anything about the target yet. Generate a random alphanumeric code of 6 characters — this will be my target coordinate. Store the target location internally and confirm only that you have a target selected and my coordinate is ready. Do not reveal the location under any circumstances until I tell you my session is complete.”

Step 3 — Receive your coordinate
The AI will give you something like TG-4482X or similar. Write this on paper. This is now your anchor — the same function as latitude/longitude coordinates in formal remote viewing protocol.

Step 4 — Do your session
Close your device. Find your quiet space. Hold only the coordinate in your awareness as your point of connection. Record everything without editing.

Step 5 — Return and request full feedback
When complete, return to the AI and say: “My session is complete. Please now reveal the target location and provide me with as much contextual information as possible — geographic region, climate, what the location looks like at ground level, what it smells and sounds like, what human activity or natural features are present, and a link or description I can use to research further.”
The AI will then give you a full debrief you can compare against your session notes.
Why this works better than a random image:
The location exists in the real world with real sensory qualities — temperature, sound, smell, scale, human presence or absence. Your impressions have something genuinely three-dimensional to land against. And crucially, you can research the location afterward to deepen your reflection well beyond what a single photograph could offer.

AI Generated Remote Viewing Target 

Target ID: 7K4 – NR29

When you’re ready, take a few slow breaths, let your mind quiet, and begin describing whatever impressions come — sensations, textures, colours, emotions, shapes, sounds, smells, movement, temperature. Anything at all.
There are no wrong answers. Just report what arises.

Feel Free to listen my ‘how to set up yourself & space up before you start”

PLEASE ONLY SCROOL DOWN IF YOU ARE READY TO SEE WHAT THE TARGET IS. DO NOT SCROLL DOWN UNLESS YOU ARE FINISHED YOUR REMOTE VIEWING SESSION

Target 7K4 – NR29

Blickling Hall click for wiki link
Norfolk, England, UK
A grand Jacobean country house and estate, now managed by the National Trust.

I wont bore you with all the details but please give this a google. There is so much history here and the grounds are massive like 4777 acres big!

Here is how I did! With an audio summary debrief at the end

First, my terrible pictures LOL

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DIANA’S TARGET 7K4-NR29 RESULTS

AI SUMMARY OF DIANA’S IMPRESSIONS

Diana’s full impression summary for 7K4-NR29:

Sensory / energetic first hits
∙ Bubbles, bubbly, effervescence — light quality feeling
∙ Immediate throat tightness, mild visceral dread
∙ Dichotomy: joy/excitement AND something dark and harmful

Structure
∙ Tall, stone, grey/lightish — not quite castle, not quite barn
∙ Rectangular, fairly symmetrical windows left to right
∙ Small decorative points along the roofline
∙ Flat approach in front — no grand staircase
∙ Feels institutional — echoes of people being ‘kept’, raised, many eras of people and families living here

∙ Multiple uses across time, structural modifications likely. As if there are areas of grand function like giant libraries, atriums, kitchens and even tunnels under the ground connecting them
∙ A second structure: large, glass, greenhouse-like — bright, airy, observatory or conservatory feeling, primarily meant for growing plants

Grounds / land
∙ Large estate-like property, massive almost like a mini village
∙ Long road lined with trees/pruned hedge possibly leading to the main structure
∙ Nature surrounds it — manicured grass around main building/home
∙ Sense of horses but not a working farm
∙ Bones under the ground somewhere on the property
∙ Possible cemetery nearby — quick flash

People / time layers
∙ Predominantly women in visions across multiple eras
∙ Dirty blonde haired woman on horseback in a dress, braided hair, moving fast, joyful. Felt like the possible ‘spirit interference’. A woman who lived here in the distant past
∙ Wealth — someone called this home, genuinely
∙ Men organized/controlled the place but women populated the visions
∙ Babies / children present at some point
∙ Pagan or Celtic ceremony — outside, at night, one or few people
∙ Trial / judgment / persecution energy — very dark, someone taken against their will
∙ Celebrations — outdoor, music, dancing, more inclusive feeling — jubilation specifically came through

Location intuitions
∙ Not Canada, not tropical, not Asia/Australia
∙ Pulled overseas — Europe feels right, England feels best
∙ Village energy, not a major city, or a pseudo village, owned property that is as big and sometimes full as a micro village
∙ Deciduous trees unfamiliar to your local landscape, look like the tree emoji but tall thin trunk

Leather impression (sketched)
∙ Dark reddish-brown, hourglass-ish shape, thick and weathered
∙ Two longer leather pieces nearby — belt-like

Your own noted uncertainty
∙ Felt a large central piece was possibly missed or changed throughout time so much so that you could not grasp one version well.
∙ Unusual session for you — more layered static than normal. You felt the layers of history could easily goo back hundreds of years. All seemed to be white, western European looking. Their garb, attitude and activities changed a lot through the eras. Possible war around more than once, with secrets ways to get in and out of the main house even the property itself.

Please follow up with how you did! I am so curious already! 

take care Intuitive souls 🙂